Back in 2006, a little-known country singer called Taylor Swift released her debut single Tim McGraw. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. Whilst it has less T-Swiz classics than other releases, across the board its one of Swifts strongest albums, bursting with catchy morsels. Almost 15 years ago, before the Grammy awards and international tours, a fresh-faced, 17-year-old Taylor Swift released her self-titled debut album. Anyway. All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. Here Taylor sacked off her country roots and embraced full-blown pop. Here are the 40 biggest Taylor Swift songs, based on actual performance on the weekly Billboard Hot 100 (through the chart dated December 17, 2022). By album three Swift was a certified Big Deal. Written when she was a high school freshman, it saw Swift dissect her relationship with a senior who she knew would break up with her when he went off to college. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. Ten albums, a mantelpiece of awards and over a decade later, Swift has become one of the biggest popstars on the planet. He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. Expectations were sky high, raising the stakes with them; just how close can Taylor fly to the sun? Listening to folklore then is like wiping the cuff of a cable knit on fogged glass to peer in on private moments. In her defense, no creative mind can be consistently remarkable, not even one as decorated and revered as Taylor Swift. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. It made sense then for this, her second studio album, which won her four Grammys including Album of the Year, to be the first altar in the "Taylor's Version" re-recording saga. 1989 instead is sonically joyous without losing dimension or leaning on familiarity. Some of her trademarksher gift for melody, her third-act POV reversalswere already present here, but theres a sloppiness to the writing that shes long since cleaned up. So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. But what's never changed is Taylor's enchanting ability to translate a memory whether charmed or trying into a moment that feels like yours. Standout songs on the album include "The 1," which sets the tone of the album; "The Last Great American Dynasty," a folk song-esque storytelling in Swift's signature style; and "Exile," two perspectives on a broken love story (the lyric video shows off the mirroring narratives well). "I have this Forrest Gump-ian way of touching something and it becomes a hit!" the album's opening track, and in the closing track, "New Year's Day," when we hear a stripped-down, piano-heavy ballad in which Swift sings emotion-filled lyrics. "The 1" and "August" tied for the top spot. Editors Note: This article was originally published on July 6, 2021. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. "Marjorie," track 13 on "Evermore," is about Swift's grandmother. Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). She later builds upon this skill with an added emphasis on production and atmosphere, landing victorious (almost) every time. The best All Taylor Swift Songs (including Midnights) rankings are on the top of the list and the worst rankings are on the bottom. this link is to an external site that may or may not meet accessibility guidelines. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. It's her only album with skip-every-time songs (why on earth would you force a collab between Future and Ed Sheeran? Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. Ranking all 129 of Taylor Swift's songs (from "Tim McGraw" to the 'Reputation' era, Rob Sheffield writes, "the weirdest and most fascinating thing about Taylor Swift will always . Midnight's answer: she's still soaring. "Champagne Problems" serves as a painful tale of a failed relationship. and Bleachers fame), who employs an undercurrent of drums that boom like palms on metal doors and vocals that echo as if off skyscrapers. With the addition of six from the Vault tracks (songs written at the same time as the album, that Swift shared with the re-recorded version), it was like opening a musical time-capsule; with tracks like the emotive Fifteen taking on a new meaning as a poignant tribute to her teenage life. As ever, Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make you want to cry your eyes out. Would it be soft and sincere, like "New Year's Day," poppy and upbeat like "Wildest Dreams," or go back to Swift's acoustic roots with songs like "Untouchable"? Whether thats emphasizing the wrong syllables of words because she hadnt quite mastered the meter of language (most notable on Teardrops on My Guitar) or mixing metaphors (on Picture to Burn and the otherwise catchy Our Song), theres a lack of polish and editing on Taylor Swift. 2023 Oscars predictions: See who will win at the 95th Academy Awards. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. In every instance, whats noteworthy is Swifts precision in communicating her exact intent. "I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives," reads her album announcement. ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". Taylor herself referred to it as her "only true breakup album," and like her today, whatever heartache made us once cling to Red for the solace is (hopefully) behind us now. "We Were Happy," Fearless (Taylor's Version) (2021) There's a thin line between timeless and basic, and this "from the vault" track stays on the wrong side. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. In the 2017 article, Jenkins also noted that this album features hip-hop influences, something Swift hasn't really done before. But for every purely excellent song off 1989 ("Out Of The Woods," "Clean") there's invariably a hollow foil track, the worst offenses, of course, being "Shake It Off" and "Bad Blood." Swift released "Reputation" in 2017, three years after "1989," a noticeable gap as she'd previously been debuting albums every two years. Two things before we get into the list: 1. Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". Let's be clear: There are no bad Taylor Swift albums. this is everything before Red (Taylor's Version) it took so l. When it comes to things other than boys, though, Swift has always preferred to dip her toes in rather than get soaking wet; her transformation from country teen to pop queen was, after all, a decade in the making. Though the album is gorgeously hooky as a whole, and overall perfect for belting in the car for a pick-me-up, it's not hard to imagine Katy Perry or even Demi Lavato as a stand-in singer for the LP's lowest moments. With a record thats a love letter to love itself. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". I'm using weekly Spotify Charts because I hate Billboard 2. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). And on Midnights, Taylor turns to us, yet again. Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. How do you follow-up Reputation, a revenge album filled with vengeance? The Taylor Swift song sorter and B. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". On Thursday at midnight, Taylor Swift dropped her 10th studio album, "Midnights." After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. Standouts like "Teardrops on My Guitar," "Picture to Burn," and "Cold As You" capture the essence of this album, which is "explicitly country-oriented," as Billboard music critic Jonathan Bradley wrote in 2017. The Taylor Swift's Albums Tier List below is created by community voting and is the cumulative average rankings from 131 submitted tier lists. The rest of the record sees relationships rise and fall like once-great empires reduced to dust, each an individual tragedy set to incessantly hooky choruses. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. But her self-titled debut is stagnant in retrospect, its feet firmly planted into an arbitrary industry mogul's limited vision of the "next best country artist." These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. 8 Taylor Swift (2006) Written during her freshman year of high school, Taylor Swift's debut eponymous album was young Swift trying to find her real voice. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. Yet its the lyricism that makes Folklore such an astonishing album, with Swift writing both from her own point of view, as well as exploring other peoples. Miss Americana & the Heartbreak Prince, however, is her stock in trade, a richly painted narrative punctuated by cool synth washes and pep-rally chants, while The Archer is quintessential Swift: wistful, minimalist dream pop that displays her willingness to acknowledge and dismantle her own flaws, triggers, and neuroses. It isnt the weight of the subject matter alone that makes Folklore feel so vitalits the exemplary caliber of her writing. to ultimate effect (and influence to mega-fan Olivia Rodrigo's raucous debut). Jonathan Keefe. So it is written in "State Of Grace," beginning the album with a percussive prologue la U2, warning that we "fall in love 'til it hurts or bleeds or fades in time" before proclaiming, almost joyously, that she'll "never be the same." The Grammy-winning Mean is amongst Swifts most underrated songs, Sparks Fly is a toe-tapping head-banging anthem and break-up slow-burner Back to December is a karaoke classic. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. Offers may be subject to change without notice. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. It also boasts some of Swifts best ever lyricism for example its title track, where Swift vividly describes the wedding of an ex-lover: I sneak in and see your friends / And her snotty little family, all dressed in pastel / And she is yelling at a bridesmaid / Somewhere back inside a room / Wearing a gown shaped like a pastry. Fearless. Taylor Swift currently has 10 albums, with 2022's "Midnights" being her most recent release. Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. She's since genre-jumped from country to proper pop, to electro R&B and bare-backed folk. When you purchase through links on our site, we may earn an affiliate commission. Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. Many artists lucky enough to enjoy their 15 minutes of fame peak at the onset, delivering one or two tokens of pop culture product before a dwindling stream of less impressive ventures. She gets the heavy hitters out of the way early, beginning with a last word in "I Forgot That You Existed," a wink and wave goodbye to social media swarms and energy sucks. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. Though she only first arrived onto (and soon conquered) the popular music scene 16 years ago, the breadth and depth of her work seems more the stuff of a lifelong evolution, spanning multiple genres and breaking industry records almost every time around. folklore. How does Midnights compare to its worthy predecessors? We, the listeners, need a few more of our own sleepless nights, staying up drinking with Taylor and looking backward to definitively weigh our affection. But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. I don't love the way the writer described some of the albums (saying Taylor sounds like a stay at home mom? And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. Its admirable that she tries to incorporate more sophisticated elements into a few of the songs here, but dancing with or kissing someone in the rain is a default image that crops up with nearly the same distracting frequency as references to princesses, angels, and fairy tales. Tier ranking every single Taylor Swift song was the hardest thing I've ever done lol, so ENJOY! At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. And though "All Too Well" is of course her opus in this arena, Speak Now precedes it with an impressive display of her one-off storytelling powers. It's the product of a prolific mind being forced to slow down, reflect, and create something completely new; A memoirist moved to experiment with a stream-of-consciousness novel. Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. Sure, this album has its highs and lows and is filled with impressive tracks, but it ranks below others because although it feels like many things she does here (like haunting lyrics and pop beats) are things she's done before and a bit better in her previous releases. 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